Quote:
Originally Posted by *Stargazer*
Jesus Christ. First they're whores, now their intergrity is called into question? The fact that it is the year 2008 and women can't make a decision to show their boobs without being vilified is disturbing.
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That's the nature of the game though.
I was reading up on the feminist literature on sex work today. I've taken excerpts from a recent article,[FONT=verdana,arial,helvetica,sans-serif]
Barton, B. "Dancing on the Möbius Strip." In Gender & Society, Vol. 16, No. 5, 585-602 (2002). [/FONT]
I've highlighted the bits I think are most relevant.
She studied strippers - which I think is a fair analogy to the website in question - for two years and collected data from the dancers. Her conclusions:
Camp 1 - "radical feminists who find any kind of sex work, and often even sexuality itself, inherently and irrevocably exploitative within patriarchy."
Camp 2 - "sex radical feminists who theorize sex work as subversive of patriarchy’s definition of conventional femininity and who strongly support sex workers’ right to perform erotic labor."
"Thus, if we read the literature of radical feminists, we learn that dancers are all victims of sexual and physical abuse whose employment in the sex industry perpetuates patriarchal disdain for women. In contrast, sex radical feminists will insist that dancers are empowered actors in charge of their own destinies, goddesses on raised stages accepting homage (and lucrative tips) from admiring men."
She concludes that there's no point in being in either camp because the reality of stripping encompasses both sides of the camp, depending on a number of circumstances, mostly to do with the length of time they've been stripping.
"When women begin dancing, many enjoy it immensely. Those who do not tend to last only a few nights. They bathe in male attention, they display their bodies proudly, they collect quick cash, the lights flash, the music pounds, and they are heady with alcohol, drugs, and a sudden ego boost. Almost every dancer I interviewed confided that in the beginning, she loved dancing. Other researchers (Bell and Sloan 1998; Forsyth 1998; Johnson 1998; Sweet and Tewksbury 2000) have noted a similar pattern. More than one woman expressed that it was delightful to be paid for partying, listening to a great stereo, and receiving compliments from hordes of men.
Unfortunately, this ego gratification is precarious. In the world of the strip bar, the dancer’s pride and pleasure in her self-display is just one nasty comment away from the sting of rejection on one hand and the humiliation of being treated like a piece of cheap meat on the other. A dancer may feel as if she is queen of the universe when a man tips her $100 for her conversation. The next potential customer, however, may make a nasty comment about the size of her breasts, or stick his tongue down her throat before she has a chance to push him away. On the other end of the spectrum, she may get no attention whatsoever, a rejection that wounds dancers both financially and emotionally."
Further on down the article...
"Depending on when you question a dancer about her feelings about her career—when she begins or later in her career—you are likely to get a different self-assessment of her power or oppression, as what dancers initially experience as pleasurable becomes increasingly fraught with problems. That power (or lack of it) is, however, neither as seamless nor as static as partisans in the sex wars portray it. ... Thus, the longer a woman strips, the more her feelings about her labor reflect the validity of the radical feminist perspective. But few women whom I interviewed were in it for the money alone. Most enjoyed the sexual abandon and ego gratification as well—the experience of erotic power emphasized by sex radical feminists.
That gratification, however, is a precarious and transient thing—a lack of stability I have attempted to illustrate in this article by analogy with the Möbius strip—as dancers learn that the positive effect of compliments such as, “You have the most beautiful body I have ever seen,” might the next instant be countered with, “You dirty slut.” At first, the pleasure of the affirming moments and the euphoria of having money seem to provide something of a shield against internalizing rude comments, abuse, and the stigma of being a stripper.
But ultimately, for most of my informants, what was once a largely affirming environment became increasingly degrading and exhausting. The longer any woman danced, the less likely money appeared to be an adequate compensation for her. Several women I interviewed who described these processes found fewer and fewer of their needs satisfied by dancing and quit sex work at this point. More women would quit if they had the financial resources to do so. Thus, one of my major findings is that over time, women move from feeling empowered to feeling oppressed."
She concludes:
"Structurally, dancing is exploitative and destructive to women both as individuals and as a group—supporting a radical feminist analysis. Rather than enhancing their sexual confidence, or even teaching them to develop stronger defense mechanisms against the internalization of abuse,... working in strip clubs ultimately makes dancers feel worse about their bodies, their sexuality, their intelligence, and finally, their overall identity in the social world. Yet as the sex radicals articulate, individual women can experience dancing as liberating and rewarding, at least for a while."
I think if everyone can agree that both sides exist, then it's not that hard to understand why society has never accepted the use of women's bodies in this way as an acceptable thing. It's *not* simple. It's complicated. And ultimately, from the very mouths of the women who do this, it tends to be a negative experience for the women. The only ones really enjoying themselves at the end of the day - full of power - are the men for whom this 'entertainment' is created.